Paul D and a Woman in Bed
This analysis will be taken from page 24-26 of Beloved.
Paul D and Sethe have just had sex, and they lay
in Sethe's bed. As they lay there, judgments of themselves and each
other float the room. Paul D disputes his prior
infatuation with Sethe, mentally using harsh words to convey the 'real' appearance of
Sethe's body. She is no longer the beautiful, out-of-reach woman, but instead
someone 'that he could definitely live without' (p. 25). Sethe realizes this
change of heart, and it is displayed in her body language. She is shyly turned away
from him, as she traces back their actions in her head.
After years of yearning, Paul D has finally become Sethe's lover. Toni Morrison has depicted Sethe as a strong woman (she has withstood tremendous pain and tragedy - her lost children, absent love, brutal treatment, and becoming a run-away), whose strength is not to be defined by having a man. Sethe recalls Baby Suggs statement that 'a man ain't nothing but a man', insinuating that men do nothing but leave (giving reasoning for the fact that her 8 children were from 6 fathers) (p.26). However, Sethe is weak to desire and affection. She recognizes the absence of desire in the
haunted house: she misses the touch of another man, and craves the comfort that
comes with sex (whether it be during a slither of time, or longer). She wants to re-grasp that moment of 'helplessness' and 'blindness' that came with desire
(p. 24). I found this to be a great signifier of how a woman can
depend on a man. Sethe is vulnerable to a man's touch and is unable to ignore Paul D's advances. After the sex, she feels like she was a victim of a man's
desires: that he "encouraged her to put some weight in his hands and...
when he saw her scars after getting what he wanted", he would flee (p.
26).